still life
many of you have asked how books get developed in the first place......there is a curiosity if one takes a stack of photographs taken over a long period of time and decides to put it together as a book or if one thinks of a concept and then goes out and shoots....
i have done it both ways....i was at least 8 years into shooting the spanish diaspora before i realized maybe i should do a book ("Divided Soul"- Phaidon)..i then worked five years more...but i was 8 days in cuba and i realized i could do a book immediately ("Cuba"-National Geographic)..i then worked 3 years more....it is impossible to say how any particular book develops, because there are too many variables....i have also had some "amazing" book ideas, done the layout and then dropped the whole idea....and i have done a few commissioned books which really end up being nowhere near on the level of a personal book and ultimately not as rewarding....the hip hop book coming now ("Living Proof" - Powerhouse) is a direct spin-off of an assignment from National Geographic...i did some personal shooting on this after the assignment was over, but the bulk was funded by the magazine...
every photographer i know does it differently and possibly differently with each book he or she does...abbas, for example, for his "Islam" book must have done dozens of short self assigned essays until finally he had a book in hand...susan meiselas was working with grant money to do her epic "Kurds" book which was a complex project making her as much curator and editor as photographer...alex webb combined assignments and personal work together over three years to do his new "Istanbul"..most photographers who do significant books just flat out figure out a way...some way....any way...and each "way" is a whole new experience....most also put significant amounts of their own finances into books....and books generally do not directly bring in income...to do a book you must drop everything else....which is why i had cheerios for lunch and yesterday's pad thai for dinner this evening....
now, you can see i am fooling around my building...starting to think that maybe this building is some kind of microcosm of new york...a changing new york...not many places like this left here in the city and this one will change drastically soon or could be bulldozed into dust...a symbol of urban development....i love to photographed things which are changing....icons that will not be around or not be the same ever again....
so, i am sketching....thinking.....not working too much....i just shoot a little on my breaks from doing so many other things...i have to hang my show tomorrow, so i am in total panic mode...so, this work is just my little "hobby" or stress release for the moment..maybe that is all it will ever be....
today i just shot these "still life" images....i hardly ever do either landscapes or still life pictures but sometimes i am in the mood...in this case, i am thinking to mix "building " pictures with "people" pictures....so, if you want to know how i think about projects you are witnessing it right now....











